Artists by Medium · Part 1 of 20
Oil painting can hold transparent glazes, opaque passages, crisp edges, and revisions within the same surface, making it unusually responsive to both slow construction and direct brushwork.
The 30 profiles below pair a source-based identity note with one item-level work record verified through The Met API. Every embedded image is marked Public Domain by The Metropolitan Museum of Art, and each credit retains its object page and Open Access link.
Artists by Medium · Part 2 of 20
Watercolor makes dilution, paper, and the movement of the brush visible. Its range extends from economical studies to densely worked finished sheets.
The 30 profiles below pair a source-based identity note with one item-level work record verified through The Met API. Every embedded image is marked Public Domain by The Metropolitan Museum of Art, and each credit retains its object page and Open Access link.
Artists by Medium · Part 3 of 20
Gouache combines water-based handling with an opaque body, allowing artists to stack flat color, revise shapes, and move between drawing and painting.
The 30 profiles below pair a source-based identity note with one item-level work record verified through The Met API. Every embedded image is marked Public Domain by The Metropolitan Museum of Art, and each credit retains its object page and Open Access link.
Artists by Medium · Part 4 of 20
Graphite can move from a pale construction line to a polished dark field. These sheets show how pressure, point, blending, and erasure become compositional tools.
The 30 profiles below pair a source-based identity note with one item-level work record verified through The Met API. Every embedded image is marked Public Domain by The Metropolitan Museum of Art, and each credit retains its object page and Open Access link.
Artists by Medium · Part 5 of 20
Pen and ink turns the behavior of a line into structure: hatching can build tone, a contour can carry weight, and a quick mark can preserve an observation.
The 30 profiles below pair a source-based identity note with one item-level work record verified through The Met API. Every embedded image is marked Public Domain by The Metropolitan Museum of Art, and each credit retains its object page and Open Access link.
Artists by Medium · Part 6 of 20
Etching draws through a ground before acid bites the exposed metal. The process joins the freedom of drawn lines to the pressure, reversal, and repetition of printing.
The 30 profiles below pair a source-based identity note with one item-level work record verified through The Met API. Every embedded image is marked Public Domain by The Metropolitan Museum of Art, and each credit retains its object page and Open Access link.
Artists by Medium · Part 7 of 20
Early plate photography includes daguerreotypes, ambrotypes, tintypes, and collodion positives—processes in which chemistry, exposure, and a physical plate shape the image as strongly as the camera does.
The 30 profiles below pair a source-based identity note with one item-level work record verified through The Met API. Every embedded image is marked Public Domain by The Metropolitan Museum of Art, and each credit retains its object page and Open Access link.
Artists by Medium · Part 1 of 20 Oil painting can hold transparent glazes, opaque passages, crisp edges, and revisions within the same surfa...
