Friday, September 4, 2026

Stained Glass: 30 Artists to Discover

Artists by Medium · Part 15 of 20

Stained glass turns architecture into a changing field of colored light. Painted detail, lead lines, cut glass, fused elements, and the movement of daylight all shape the image; the surviving West Window at St George's Chapel and the documented RPA hospital windows also show how attribution and patronage remain part of the medium's history.

These 30 practitioners span glaziers, designers, partnerships, painters, and contemporary artists. The selected work pages favor installed windows and specialist collections rather than portraits; where an attribution is only 'probably' or 'said to be,' that uncertainty is preserved instead of flattened into fact.

Rights note: each featured work or portfolio sample is presented as a link only. No contemporary artwork or documentary photograph is reproduced.

Watch the Stained Glass gallery film

A 4:30 moving gallery featuring all 30 artists in this medium.

Original instrumental soundtrack created with Suno: Color Through Stone.

Original editorial stained-glass composition with luminous abstract color and dark leading.
Original editorial visual created for this article with AI-assisted image generation. It is not an artwork by any featured artist.

Artists in this article

  1. Barnard Flower
  2. Paul Dax
  3. Dolores Hoffmann
  4. Heinrich Moser
  5. Sylvie Gaudin
  6. Alfred Mahlau
  7. Penry Powell Palfrey
  8. Isaac Hugh Russell
  9. Jacques Grüber
  10. Oscar Paterson
  11. Johan Way
  12. Gerður Helgadóttir
  13. Aleksandar M. Lukic
  14. Atul Bakshi
  15. David Hillman
  16. Pauline Peugniez
  17. Jēkabs Bīne
  18. Nigel Brown
  19. Meeli Kõiva
  20. Nicolas Sollogoub
  21. Ashwin and Falconer
  22. Anna Campbell Bliss
  23. Carl Almquist
  24. Kim En Joong
  25. Afewerk Tekle
  26. George Campbell
  27. Bang Hai Ja
  28. Endre Hevizi
  29. Markey Robinson
  30. Olive Henry

30 artists working in Stained Glass

1. Barnard Flower link-only sample

The linked Wikidata identity record identifies Barnard Flower as item Q4861428 but supplies no fuller English biographical synopsis in this research package. This profile therefore does not add unsupported dates, nationality, training, or influences.

West Window detail with William Vertue (before 1509) — The source documents the Stained Glass connection: The College of St George describes the stained-glass window detail as probably the work of Barnard Flower, King's Glazier; attribution is qualified.

2. Paul Dax link-only sample

The linked identity record describes Paul Dax as “Austrian artist (1503–1561).”

Glass paintings for Innsbruck council chamber and Hofburg (1537–1540) — The source documents the Stained Glass connection: The City of Innsbruck history page explicitly states that Dax made glass paintings for the council chamber and Hofburg from 1537 to 1540.

3. Dolores Hoffmann link-only sample

The linked identity record describes Dolores Hoffmann as “Estonian stained glass artist.”

Selected works / artist profile — The source documents the Stained Glass connection: Tallinn TV Tower's illustrated page is devoted to Hoffmann's stained-glass hall and explicitly describes her installed stained-glass window. The destination is a collection, gallery, portfolio, or profile viewing trail rather than a separately cataloged single artwork.

4. Heinrich Moser link-only sample

The linked Wikidata identity record identifies Heinrich Moser as item Q105747430 but supplies no fuller English biographical synopsis in this research package. This profile therefore does not add unsupported dates, nationality, training, or influences.

Stained-glass windows of Palácio do Campo das Princesas — The source documents the Stained Glass connection: The Archdiocese of Olinda and Recife identifies Henry Moser as author of the palace stained-glass windows and discusses their restoration.

5. Sylvie Gaudin link-only sample

The linked Wikidata identity record identifies Sylvie Gaudin as item Q2374345 but supplies no fuller English biographical synopsis in this research package. This profile therefore does not add unsupported dates, nationality, training, or influences.

Corbeil-Essonnes Saint-Spire 147 — The source documents the Stained Glass connection: The Commons page visibly presents Gaudin's signed window at Saint-Spire and classifies it in medium-specific stained-glass categories.

6. Alfred Mahlau link-only sample

The linked identity record describes Alfred Mahlau as “German painter, illustrator and teacher.”

Totentanzfenster (1955–1956) — The source documents the Stained Glass connection: Kunst@SH's dedicated work record credits Mahlau and the Berkentien workshop and illustrates the two large glass-painted windows in detail.

7. Penry Powell Palfrey link-only sample

The linked Wikidata identity record identifies Penry Powell Palfrey as item Q27460855 but supplies no fuller English biographical synopsis in this research package. This profile therefore does not add unsupported dates, nationality, training, or influences.

Selected heraldic stained-glass designs — The source documents the Stained Glass connection: The linked profile explicitly discusses Palfrey's stained-glass design practice and numerous heraldic window designs; it is used as a profile, not as evidence for one named surviving window.

8. Isaac Hugh Russell link-only sample

The linked Wikidata identity record identifies Isaac Hugh Russell as item Q106411376 but supplies no fuller English biographical synopsis in this research package. This profile therefore does not add unsupported dates, nationality, training, or influences.

East window, St Clement's Church, Oxford (1830s) — The source documents the Stained Glass connection: The listed-building description says the east window's stained-glass roundels are said to be by local craftsman Isaac Hugh Russell; attribution is qualified.

9. Jacques Grüber link-only sample

The linked identity record describes Jacques Grüber as “French woodworker and stained-glass artist(1870–1936).”

F54-NANCY verrière-Gruber-Crédit-Lyonnais — The source documents the Stained Glass connection: The Commons description identifies Grüber as master glazier, dates the visible Crédit Lyonnais stained-glass ceiling to 1901, and places it in stained-glass categories.

10. Oscar Paterson link-only sample

The linked identity record describes Oscar Paterson as “Scottish stained glass artist (1863–1934).”

Work & Faith windows (1897) — The source documents the Stained Glass connection: Visit Stained Glass identifies Paterson, documents his glassmaking practice, and illustrates two Work & Faith windows.

11. Johan Way link-only sample

The linked identity record describes Johan Way as “Swedish professor and painter (1792–1873).”

Glass paintings for Uppsala Cathedral (1840s) — The source documents the Stained Glass connection: The Church of Sweden's Uppsala Cathedral page identifies Johan Way and explicitly states that the collection includes his glass paintings from the 1840s.

12. Gerður Helgadóttir link-only sample

The linked identity record describes Gerður Helgadóttir as “Icelandic artist (1928–1975).”

Skálholt Cathedral windows (1963) — The source documents the Stained Glass connection: Skálholt Cathedral's illustrated page credits Helgadóttir with designing its 25 stained-glass windows and explains their abstract symbolic program.

13. Aleksandar M. Lukic link-only sample

The linked Wikidata identity record identifies Aleksandar M. Lukic as item Q138116209 but supplies no fuller English biographical synopsis in this research package. This profile therefore does not add unsupported dates, nationality, training, or influences.

The Art of Glass Glow (exhibition work group) (2018) — The source documents the Stained Glass connection: Radio Television of Serbia describes Lukić's exhibition from stained glass through kiln-formed glass and states that stained glass remains central to his practice.

14. Atul Bakshi link-only sample

The linked identity record describes Atul Bakshi as “Indian glass artist.”

Village Girl (2022) — The source documents the Stained Glass connection: Artspeaks India illustrates Village Girl, credits Bakshi, and explicitly labels its medium Stained Glass while also discussing his window practice.

15. David Hillman link-only sample

The linked Wikidata identity record identifies David Hillman as item Q125358441 but supplies no fuller English biographical synopsis in this research package. This profile therefore does not add unsupported dates, nationality, training, or influences.

Purim (1954) — The source documents the Stained Glass connection: The Stained Glass Museum's object record identifies David Hillman as designer of Purim.

16. Pauline Peugniez link-only sample

The linked identity record describes Pauline Peugniez as “French painter and stained-glass artist (1890-1987).”

Geometric oculus, Saint-Julien-le-Pauvre (1957) — The source documents the Stained Glass connection: The French Ministry of Culture record identifies this unique polychrome stained-glass oculus and credits Pauline Peugniez as peintre-verrier.

17. Jēkabs Bīne link-only sample

The linked identity record describes Jēkabs Bīne as “Latvian artist and educationist.”

Selected stained-glass designs and commissions — The source documents the Stained Glass connection: The Art Academy of Latvia research summary documents Bīne's stained-glass workshop, designs, and commissions and explicitly situates that work within his practice.

18. Nigel Brown link-only sample

The linked identity record describes Nigel Brown as “New Zealand artist (born 1949).”

Creation Window central panel (2000) — The source documents the Stained Glass connection: The Edmiston Trust illustrates the installed work, labels its medium Stained glass, and identifies Brown as designer with its fabricators.

19. Meeli Kõiva link-only sample

The linked identity record describes Meeli Kõiva as “Estonian artist.”

Selected stained-glass works — The source documents the Stained Glass connection: The Estonian Glass Artists' Association feature credits Kõiva and visibly presents and discusses her stained-glass works and architectural glass practice.

20. Nicolas Sollogoub link-only sample

The linked identity record describes Nicolas Sollogoub as “Franco-Canadian artist and glassmaker.”

Stained glass, McGill metro station, Montreal (1 of 5) — The source documents the Stained Glass connection: The Commons page visibly presents one of Sollogoub's five stained-glass works at McGill metro station and explicitly identifies its medium and location.

21. Ashwin and Falconer link-only sample

The linked Wikidata identity record identifies Ashwin and Falconer as item Q30686943 but supplies no fuller English biographical synopsis in this research package. This profile therefore does not add unsupported dates, nationality, training, or influences.

Queen Victoria (1884) — The source documents the Stained Glass connection: The RPA Museum identifies the window as crafted by Ashwin and Falconer and provides an illustrated description.

22. Anna Campbell Bliss link-only sample

The linked identity record describes Anna Campbell Bliss as “American painter and architect.”

Light of Grace (1993) — The source documents the Stained Glass connection: The Salt Lake Tribune identifies Light of Grace as Bliss's stained-glass window wall at St. Thomas More Catholic Church; a professional color association publication illustrates it.

23. Carl Almquist link-only sample

The linked identity record describes Carl Almquist as “Swedish stained-glass artist (1848–1924).”

Llantysilio glass 1 — The source documents the Stained Glass connection: The Commons description identifies the visible stained-glass window at St Tysilio's as produced from a design by Carl Almquist.

24. Kim En Joong link-only sample

The linked identity record describes Kim En Joong as “Korean Dominican priest and painter.”

East Vestibule window, St. Mel's Cathedral (2014) — The source documents the Stained Glass connection: The Commons description explicitly identifies the depicted stained-glass window, credits Kim En Joong as artist and Derix Studios as glazier, and shows the installed work.

25. Afewerk Tekle link-only sample

The linked identity record describes Afewerk Tekle as “Ethiopian artist (1932–2012).”

Total Liberation of Africa (1958) — The source documents the Stained Glass connection: Texas Tech University Libraries credits Tekle and identifies both the building type and technique as stained glass, with an image and materials metadata.

26. George Campbell link-only sample

The linked identity record describes George Campbell as “Irish artist and writer (1917–1979).”

The sower sowing the seed (1963) — The source documents the Stained Glass connection: The Dictionary of Irish Biography identifies Campbell as a stained-glass artist and names this first window and his later commissions.

27. Bang Hai Ja link-only sample

The linked identity record describes Bang Hai Ja as “South Korean artist (1937–2022).”

Four chapter-house windows, Chartres Cathedral (2022) — The source documents the Stained Glass connection: The French Ministry of Culture illustrates the project and states that Bang Hai Ja designed the four new windows, including their themes and fabrication studio.

28. Endre Hevizi link-only sample

The linked identity record describes Endre Hevizi as “Hungarian-Brtitish artist.”

Stained Glass Debre Libanos Monastery Ethiopia Oct19 R16 02194 — The source documents the Stained Glass connection: The Commons page visibly presents stained glass at Debre Libanos Monastery and credits its 1965 creation to E. O. Hevezi and G. L. Bajo.

29. Markey Robinson link-only sample

The linked identity record describes Markey Robinson as “Irish artist (1918–1999).”

Oriel Gallery stained-glass panels (c. 1968) — The source documents the Stained Glass connection: The Irish Times explicitly identifies Robinson's distinctive stained-glass panels over the Oriel Gallery and describes their imagery.

30. Olive Henry link-only sample

The linked identity record describes Olive Henry as “Northern Irish artist (1902–1989).”

Study for a Stained Glass Window — The source documents the Stained Glass connection: The exact illustrated object record credits Henry and identifies the work as a signed oil-on-board design study for a stained-glass window; it is evidence of design practice, not a finished window.

Method and source notes

Selection excludes the previous 600-profile series and favors less familiar names where the evidence allows. The opening image is an original AI-assisted editorial visual made for this series, not a work by a featured artist. Featured works and documentary images are linked rather than reproduced because reuse rights were not cleared.

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